May - Grafiti
November 21st, 2008 by Admin
GRAFITI (www.ilirik.com) -May- Di tembok batu Terconteng rindumu Yang kaucoretkan Di dinding bisu Terpampang cintamu Yang kauluahkan Untuk apa pada siapa Rindumu dipaparkan Akan menjadi daki Grafiti Tembok batu Menjadi sasaran Riak di hatimu Dinding bisu Menjadi cemaran Angkara jarimu Mata yang melihat Kan terbaca dan tertawa Rindu yang tersirat Jadi tontonan jenaka Grafiti Hentikan saja cemaran itu Grafiti Hentikan saja tarian jarimu Grafiti Hentikan saja contengan itu Grafiti Pendamkan saja rindu di hatimu Grafiti
Splatterhouse Wanpaku Grafiti level 3
November 21st, 2008 by Admin
This game is really obscure, a NES/Famicon game that never reached north america, Splatterhouse Wanpaku Grafiti happens after Splatterhouse 1, and the story is considered to be fodder to the rest of the story. Wanpaku means naughty. The game stars everybody's favorite masked protagonist: Rick, in super deformed form(Wich means tiny body big heads). Alot of monsters come back in SD form. This game is full of references to horror movies, and tries to be funny with mixed results. This is level 3: Rick arrives to Devil town, a little village filled with pumpkin kids and haunted houses.
09 The Steals Vs. Grafiti-Sinner [Leama&James Davis Grafiti]
November 21st, 2008 by Admin
"A stalwart of the Global Underground DJ contingent, Nick Warren returns to the series following the huge success of his Paris CD in 2007. Hes sold over 110,000 GU compilations in the UK alone over his 11 year history with the label, on each occasion coupling musical integrity and guaranteed commercial sales success. Peruvian capital Lima is the base for his latest installment, and for the first time Warren has compiled an entirely exclusive track list to capture the sound and ambience of this historic former Incan city. He's sourced tracks far and wide, making this a truly unique mix, and one that showcases his ability as curator and DJ par excellence. Based around the Global Underground party captured in the albums beautiful stylised artwork, the GU Lima mix is a sonic missile simple, direct, and deadly. There is a definite cosmopolitan atmosphere about it akin with the city itself; as the South American continent, and its hot spots of Brazil, Argentina, and Uruguay, has become a quiet giant within the international club scene, so Peru hasn't been left untouched. Beginning quietly with Paul Rogers ambient ethereal intro, CD1 quickly plunges into the bleepy techno of Nils Nuerenbergs Seduction. The pulsing house groove of Kruse and Nuernbergs An Why E brings an edge of menace, before Jarius Millers Botnet continues the trip. Culminating in the ghostly finale of 16 Bit Lolitas mix of Astrid Suryantos grandiose Distant Bar, CD1 sets a tone that makes this one of Nicks most cohesive Global Underground mixes to date. CD2 begins with Alex Dolbys Long Beach, a track that drops a funky string refrain onto twisting electronic flutters. The squelchy, minimalist bounce of Chris Croat Yvel & Tristans Panama clicks into Nicolo Vivarellis I Am Trying, marked by distant radio voices edging nervously in and out of a disco bassline. Thomas Sagstads Castillian builds energy with its relentless string refrain with Spanish guitar flourishes, while a flurry of vocals arrive on the The Steals vs. Graffitis Sinner (Leama and James Davis Graffiti Mix). Warren brings out some big guns for the finale; Analogue People In A Digital Worlds Before The Wind drives its relentless groove home before segueing neatly into the closer, Percs Bosworth. Lima is one of Nicks finest GU exploits to date and wed expect nothing less from Bristols biggest house export."


































